Tuesday, April 8, 2008

Ladybird



Ladybird is the newest addition to the family, with probably the most dramatic story. I was dumping our recyclables in our neighbor's bin (I am probably the world's guiltiest recycler-- I always sneak out late at night and drop them in one at a time to minimize noise, afraid I might be found out!), I heard this little squeak, looked down, and saw a bedraggled white kitten, wearing a flea collar. I patted her and went on my merry way, convinced she had owners if she had a collar. 


Over the next two weeks, I brought my trash out more often than I ever have or will in the future. She was always hanging around my dumpster or the recycling bin, getting thinner and thinner. Eventually I couldn't deny that she wasn't getting the care she needed, even if she was technically someone's cat. I fed her a couple of times next to the dumpster, but I knew I couldn't take another cat. My eldest, Rooster, is a nervous wreck around other animals, and my husband is at best a begrudging cat lover. So I called a couple of friends, trying to convince them that they really needed a fluffy! white! (flea-ridden) kitten! All I have to say about that is that it's a good thing I'm not  a pimp, because evidently I fell short. Nobody could or would take said kitten.

So a few days before Thanksgiving I came home around 2 in the afternoon and found her sitting on my stoop. My heart just kind of fell because I knew this was it: she'd never been to the house before, she'd never seen me in the broad light of day, and that meant that she probably really did need a place to live. So I sat out on the porch with her for about an hour, trying to convince myself to walk away, then opened the door for her. 

Luckily she's one of the most lovable creatures ever to walk the earth, a fantastic, generally mellow lap-cat with a squeaky meow but a mighty purr like thunder!

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Saturday, April 5, 2008

Bestand this, bee-yotch!


So, due in no small part to a continuing conversation with Mighty Maya (fellow: 1.  Exonian, 2. layabout, and 3. semi-latent creative genius) I have been thinking about... well... lying about. Specifically, I've been wondering about the difference between laying low, limbo, paralysis, biding one's time, recouping, shoring up one's creative juices, etcetera. Is there a productive sort of lying about? When does that productivity tip over the edge into non-productivity? Is it possible to spend most of one's life not being productive, but still being meaningfully productive, if that makes sense? It's enough to give one a headache. Perhaps it's time for a nap.


Instead, a poem: (Bear with me). It's by Milton. (No--really. Bear with me)

When I consider how my light is spent,
Ere half my days in this dark world and wide,
And that one talent which is death to hide 
Lodged with me useless, though my soul more bent
To serve therewith my Maker, and present
My true account, lest He returning chide;
"Doth God exact day-labor, light denied?"
I fondly ask. But Patience, to prevent 
that murmur, soon replies, "God doth not need 
Either man's work or His own gifts. Who best
bear his mild yoke, they serve Him best. His state
is kingly: thousands at his bidding speed,
and post o'er land and ocean without rest;
They also serve who only stand and wait.

Okay, on a religious level, I'm not particularly down with this. I'm not certain I even understand it on a religious level. But there's something incredibly resonant about this poem even outside of its subject matter, and I wonder if it's just the shock of the last line, which CLEARLY says it's better to get stoned and play Katamari than to make a difference in the world.

Another pretentious guy I can turn to for some back up for the layabout's lifestyle is Heidegger, who basically says that the only way to get close to the world is to stand back and observe it. When we take things apart in an attempt to understand them, when we get too close, in other words, we loose perspective. The "essence" of the thing escapes, and we're left with an empty shell. Much like eating a pistachio, in fact.

Okay: from the quasi-atheistic (at least in the old-fashioned sense of "theos"), fairly existential, absurdist point of view I happen to be party to, basically what matters in the world is what I think matters. If I think religion matters, it matters. If I think the ethics of my culture matter, they matter (Hi Soren!!) If it all should go hang, it should all go hang. And if the world is populated with fairies and pigs have wings and everyone wants to have sex with me, but they're all really good at hiding their true natures, then that's the world I live in. (Which is, by the way, the world I live in.)

So the question is, I guess, how important is it to me to DO something in the world, and what is it to do something in the world, and how can one be sure that by doing something, you're not harming? I wonder how many of us fence-sitters there are in academia, theorizing our lives away. That all being said, I can't help but hope that the artists in the world, whether in academia or no, give us something to aspire to, something by which to be inspired. 

Especially when they take pictures of cowgirls.

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Friday, April 4, 2008

Sweet Country Lovin'


Country music is one of my so-called guilty pleasures. My mom and I sang along to it in the car when I was little (actually, we still do!), I got massively teased about it in high school, dropped it, came back to it-- I can't call it love/hate, because it's really only ever been love. Love, love, love it. Love Top-20, love the eighties power-ballads, love the ridiculous fashions, love the alts, the oldies, the personalities. Okay? I admit it. I love country music. And I refuse to be guilty about it ANY LONGER!!


First off, can we talk about the gorgeousness of country musicians? Lots of eye-candy to choose from, but let's just pick the two most famous redheads of the bunch, as I happen to be partial. We have Willie Nelson to start, whose rugged mug graces the beginning of this post. I have a massive crush on Willie-- looks, politics, music, he's got it all. I'm slowly working through his discography, which is MASSIVE, but I just picked up "Stardust" which is a cover album. You should definitely check out "Georgia on my Mind" if you haven't already. I think part of the reason I love him so much is that he just seems like such a pure, bright spirit. I'm sure he has his share of jadedness after almost 50 years in the music business, but it doesn't show. I've taken to wearing my hair in braids. Maybe if I spend some more time in the sun...

Next up, we have Bonnie Raitt, hardcore-cool, whom my friend Jericho and I have decided is "my" diva. She's had the same hairdo since at least 1982, and baby still rocks it. She's one of the most gifted slide guitarists to sling a bottleneck, and she 's deeply committed to preserving the music and history of the blues. I love picturing her backintheday, the little roundfaced redheaded white girl, opening for Sippie Wallace, Son House, Muddy Waters, and John Lee Hooker (click to listen to one sexy-ass song). She's been active in civil rights, environmentalism, and women's rights. Yah, I want to be Bonnie when I grow up. 

Do you think we can convince them to get married? And adopt me?

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